Cymatic Urphänomen

"She [nature] is the sole artist, creating extreme contrast out of the simplest material, the greatest perfection seemingly without effort, the most definite clarity always veiled with a touch of softness. Each of her works has its own being, each of her phenomena its separate idea, and yet all create a single whole."

- Johann Wolfgang von Goethe (1749 - 1832)
 The Metamorphosis of Plants

"The notion of the Urphanomen is an invaluable illustration of the concrete nature of Goethe's way of thinking which dwells in the phenomenon. The primal phenomenon is not to be thought of as a generalization from observations, produced by abstracting from different instances something that is common to them. If this were the case, one would arrive at an abstracted unity with the dead quality of a lowest common denominator. For Goethe, the primal phenomenon was a concrete instance - what he called 'an instance worth a thousand, bearing all within itself.' In a moment of intuitive perception, the universal is seen within the particular, so that the particular instance is seen as a living manifestation of the universal. What is merely particular in one perspective is simultaneously universal in another way of seeing. In other words, the particular becomes symbolic of the universal."

- Henri Bortoft (1938 - 2012)

The Wholeness of Nature

Photographer's note. To help contextualize the relevance of the quotes, I need to point out that the image above contains three (out of a total of about 24) "snapshot" views of a single unfolding cymatic process. Not only does the triptych show only a tiny fraction of what my eye saw through the viewfinder, but the apparent sharpness of the images also belies the frenetic swirling and rhythmic thrashing of the water because my relatively slow 1/40th sec to 1/60th sec exposures smear over finely detailed patterns. But, while we may be unable to "see" the cymatic Urphanomen in its full splendor (and, even if we could, perhaps would understand as little as does Philip K Dick's "electric ant" after it tries seeing all of reality at once), "each of her works has its own being, each of her phenomena its separate idea, and yet all create a single whole." 

Perfect Imperfection

 "Wabi sabi is a state of the heart.
It is a deep in-breath and a slow exhale.
It is felt in a moment of real appreciation
—a perfect moment in an imperfect world."

- Beth Kempton (1977 - )
Wabi Sabi

As Long as Autumn Lasts

 "As long as autumn lasts,
I shall not have hands,
canvas and colors enough
to paint the beautiful
things I see.

- Vincent Van Gogh (1853 - 1890)

Symphonic Geometry

"The human mind is only capable of absorbing a few things at a time. We see what is taking place in front of us in the here and now, and cannot envisage simultaneously a succession of processes, no matter how integrated and complementary. Our faculties of perception are consequently limited even as regards fairly simple phenomena. The fate of a single man can be rich with significance, that of a few hundred less so, but the history of thousands and millions of men does not mean anything at all, in any adequate sense of the word. The symmetriad is a million—a billion, rather—raised to the power of N: it is incomprehensible. We pass through vast halls, each with a capacity of ten Kronecker units, and creep like so many ants clinging to the folds of breathing vaults and craning to watch the flight of soaring girders, opalescent in the glare of searchlights, and elastic domes which criss-cross and balance each other unerringly, the perfection of a moment, since everything here passes and fades. The essence of this architecture is movement synchronized towards a precise objective. We observe a fraction of the process, like hearing the vibration of a single string in an orchestra of supergiants. We know, but cannot grasp, that above and below, beyond the limits of perception or imagination, thousands and millions of simultaneous transformations are at work, interlinked like a musical score by mathematical counterpoint. It has been described as a symphony in geometry, but we lack the ears to hear it."

- Stanislaw Lem (1921 - 2006)

Solaris

Experience, Emptiness, and Luminosity

"One of the points in the traditional Buddhist way of viewing the question of what reality is or what truth is, is that in fact we cannot perceive reality, we cannot perceive truth. This is not to say that there is no reality or truth, but rather that whatever we perceive, if we happen to perceive anything, we see in accordance with some particular language or approach, and we color it with our own styles and ways of looking at things.

...

The nonexistence of ego is not a philosophical matter, but simply a matter of perception. Perception is unable to trace back its existence {to an origin}, so it becomes just sheer energy, without a beginner of the perception and without any substance. It is just simple perception. Perception on that level has three aspects.

...

The first is perception as experience. In this case, experience does not refer to the experience of self-confirmation, but to experience in the sense of things as they are. White is white, black is black, and so forth.

...

Then there is {the second aspect}, the perception of emptiness, which is the absence of things as they are. Things have their room; things always come along with a certain sense of room, of space. Even though they may appear within the complexities of the overcrowdedness of experience, they provide their own space within the overcrowdedness. Actually, overcrowdedness and room are the same thing; overcrowdedness is room in some sense. This is because there is movement involved, because there is dance and play involved. At the same time, there is a shifty and intangible quality, and because of that the whole thing is very lucid.

...

There is experience, then space or emptiness, and then the final aspect, which is called luminosity. Luminosity has nothing to do with bright visual light. It is a sense of sharp boundary and clarity. There is no theoretical or intellectual reference point for this, but in terms of ordinary experience, it is a sense of clarity, a sense of things being seen as they are, unmistakably.

...

So there are these three aspects of perception: the sense of experience, the sense of emptiness, and the sense of luminosity. The point is that with that level of perception {that contains the three aspects}, one is able to see all the patterns of one’s life. Whether the patterns of one’s life are regarded as neurotic or enlightened, one is able to see them all clearly. That seems to be the beginning of some glimpse of the mandala perspective, the beginning of a glimpse of the five buddha energies."

- Chogyam Trungpa (1939 - 1987)
Orderly Chaos: The Mandala Principle

Equivalent

"There are no forms in nature.
Nature is a vast, chaotic collection of shapes.
You as an artist create configurations out of chaos.
You make a formal statement where
there was none to begin with.
All art is a combination of an external
event and an internal event…
 I make a photograph to give
you the equivalent of what I felt.
Equivalent is still the best word."

- Ansel Adams (1902 - 1984)

Ouroborosian Complexity

"In the end, we self-perceiving, self-inventing, locked-in mirages are little miracles of self-reference. We believe in marbles that disintegrate when we search for them but that are as real as any genuine marble when we’re not looking for them. Our very nature is such as to prevent us from fully understanding its very nature. Poised midway between the unvisualizable cosmic vastness of curved spacetime and the dubious, shadowy flickerings of charged quanta, we human beings, more like rainbows and mirages than like raindrops or boulders, are unpredictable self-writing poems - vague, metaphorical, ambiguous, and sometimes exceedingly beautiful."

 -  Douglas R. Hofstadter (1945 - )
I Am a Strange Loop

Atomic Poetry

 "We must be clear that when it comes to atoms,
language can be used only as in poetry.
The poet, too, is not nearly so concerned with
describing facts as with creating images
and establishing mental connections."

- Niels Bohr (1885 - 1962)

A Space-Time Event

"There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.

...

I feel all things as dynamic events, being, changing, and interacting with each other in space and time even as I photograph them.

...

What you see is real - but only on the particular level to which you've developed your sense of seeing. You can expand your reality by developing new ways of perceiving."

- Wynn Bullock (1905 - 1975)

The Flux of all Things

"Who looks upon a river in a meditative hour, and is not reminded of the flux of all things? Throw a stone into the stream, and the circles that propagate themselves are the beautiful type of all influence. Man is conscious of a universal soul within or behind his individual life, wherein, as in a firmament, the natures of Justice, Truth, Love, Freedom, arise and shine. This universal soul, he calls Reason: it is not mine, or thine, or his, but we are its; we are its property and men. And the blue sky in which the private earth is buried, the sky with its eternal calm, and full of everlasting orbs, is the type of Reason. That which, intellectually considered, we call Reason, considered in relation to nature, we call Spirit. Spirit is the Creator. Spirit hath life in itself."

- Ralph Waldo Emerson (1803 - 1882)